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Interview: SNL Film Unit DP Alex Buono
The longtime Saturday Night Live Film Unit Director of Photography talks about scouting and lighting spots for the show on a tight schedule, how he recreates the looks of commercials and movies for parodies, and how he uses metering and monitors together to fine-tune his setups.
Interview: Cinematographer Eric Steelberg, ASC
The director of photography for films including Up in the Air, Labor Day, and Juno talks about how he uses a meter during preproduction and on set, how he handled the complicated lighting situations in Up in the Air, and the sometimes counterintuitive ways he's used light to communicate moods and themes in his collaborations with director Jason Reitman.
Interview: Tal Lazar on Creating Visual Styles and Sekonic's DTS
The cinematographer and American Film Institute Conservatory instructor talks about how the role of metering is expanding with new camera technology, how he uses Sekonic's Data Transfer Software to help create visual styles, and what pleasantly surprised him about the DTS program.
Cine Essentials: Metering and Modifying Reflections
Scheimpflüg Digital founder and production expert John Engstrom gives a step-by-step rundown of how to meter and light reflective surfaces on a cine shoot.
Cine Essentials: Metering and Modifying Available Light
Scheimpflüg Digital founder and production expert John Engstrom gives a step-by-step rundown of how to meter and modify available light on a cine shoot.
Cine Essentials: Scouting a Location
Scheimpflüg Digital founder and production expert John Engstrom gives a step-by-step rundown of how to scout a location to prepare for a cine shoot.
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