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Lighting 101: Using a Meter for Cine Cinematographer Ryan E. Walters explains why using a meter is vital to lighting a cine set, and demonstrates how he uses his L-758Cine to ensure correct exposure and craft the look of his lighting. Ryan E. Walters Category: How-To
Lighting for ISO 800 - Ryan E. Walters Cinematographer Ryan E. Walters takes you behind the scenes to see a lighting setup that he used on the Feature Film Walk-In. He shows you how to light a dinner scene for ISO 800. Ryan E. Walters Category: How-To
Sekonic’s 308DC Light Meter with AF100 AbelCineTech features the Sekonic L-308DC and Panasonic AF-100 on its Vimeo channel. See Jem Schofield and Andy Shipsides of AbleCineTech talk about the gear and why a meter is needed for good lighting. Category: How-To
Jem Schofield and the Sekonic L-308S Why is this image so dark? Find out as Jem Schofield gives you a tour of the L-308S and its features and benefits for HDSLR filmmakers. Schofield also presents a simple explanation of incident versus reflected light and a walk-through of how to use a meter with your HDSLR. theC47.com Category: How-To
L-308DC: Compact Light Meter Made for Videographers L-308DC: Compact Light Meter Made for Videographers Category: How-To
Vincent Laforet on Sekonic and Light Metering The award-winning photographer and HDSLR filmmaker talks about how controlling light through precise metering plays a crucial role in the production process on a motion picture set. Sekonic Category: ProFiles
Sekonic ProSpeak: Ryan Walters, Cinematographer Ryan Walters of Portland, Oregon gives some insight into the life of a professional cinematographer. When scouting locations, he finds it more efficient to take light meter readings before bringing out full lighting rigs. This and many other techniques—from video's limited dynamic range to using RED Cameras with Sekonic software—are explained in this insightful video. For more information about Ryan Walters, visit his website: http://www.ryanewalters.com Category: ProSpeak
Why You Need a Light Meter for Cine/Video and HDSLRs If you shoot video professionally, you need a light meter. It’s true, the meter in your camera works pretty well, but it just doesn’t give you the level of control a light meter does. Sekonic Category: Metering Tips and Tricks
Jem Schofield on the Sekonic C-500 A brief overview of why the Sekonic C-500 is essential for measuring the color of your light sources thec47.com Category: How-To

Lighting 101: Using a Meter for Cine
Cinematographer Ryan E. Walters explains why using a meter is vital to lighting a cine set, and demonstrates how he uses his L-758Cine to ensure correct exposure and craft the look of his lighting.
Ryan E. Walters
Category: How-To

Lighting for ISO 800 - Ryan E. Walters
Cinematographer Ryan E. Walters takes you behind the scenes to see a lighting setup that he used on the Feature Film Walk-In. He shows you how to light a dinner scene for ISO 800.
Ryan E. Walters
Category: How-To

Sekonic’s 308DC Light Meter with AF100
AbelCineTech features the Sekonic L-308DC and Panasonic AF-100 on its Vimeo channel. See Jem Schofield and Andy Shipsides of AbleCineTech talk about the gear and why a meter is needed for good lighting.
Category: How-To

Jem Schofield and the Sekonic L-308S
Why is this image so dark? Find out as Jem Schofield gives you a tour of the L-308S and its features and benefits for HDSLR filmmakers. Schofield also presents a simple explanation of incident versus reflected light and a walk-through of how to use a meter with your HDSLR.
theC47.com
Category: How-To

L-308DC: Compact Light Meter Made for Videographers
L-308DC: Compact Light Meter Made for Videographers
Category: How-To

Vincent Laforet on Sekonic and Light Metering
The award-winning photographer and HDSLR filmmaker talks about how controlling light through precise metering plays a crucial role in the production process on a motion picture set.
Sekonic
Category: ProFiles

Sekonic ProSpeak: Ryan Walters, Cinematographer
Ryan Walters of Portland, Oregon gives some insight into the life of a professional cinematographer. When scouting locations, he finds it more efficient to take light meter readings before bringing out full lighting rigs. This and many other techniques—from video's limited dynamic range to using RED Cameras with Sekonic software—are explained in this insightful video.

For more information about Ryan Walters, visit his website:
http://www.ryanewalters.com
Category: ProSpeak

Why You Need a Light Meter for Cine/Video and HDSLRs
If you shoot video professionally, you need a light meter. It’s true, the meter in your camera works pretty well, but it just doesn’t give you the level of control a light meter does.
Sekonic
Category: Metering Tips and Tricks

Jem Schofield on the Sekonic C-500
A brief overview of why the Sekonic C-500 is essential for measuring the color of your light sources
thec47.com
Category: How-To

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